“Holy Ambush” Painted September 14 and 15 during worship services.
I love the story of the woman at the well. I’ve written about her before (here).
Jesus sent his disciples ahead so he could wait to talk to someone who was the wrong sex, the wrong ethnicity, the wrong religion, and had the wrong social standing, according to contemporary religious types.
She had her defenses up. But when she was honest with this strange man who broke with all social convention, he was open with her. He spoke plainly to her about who he was. After that encounter, she became a woman of influence.
I painted Jesus waiting for her. I usually avoid painting representations of the Messiah. There is already a very long history of artists imposing their culture on the stories told in the Bible. How does one paint someone who was both God and man? And did they really dress like Medieval peasants at that time? The metaphors nature provides are safer and less likely to attract critics whose minds snag on possible historical anachronisms.
At the end of the first worship session all I had on my canvas was something that looked like the background for the flannel board lesson my grandmother used to teach at Happy Hour Bible Club on Thursday afternoons after school. The problem was that I didn’t know what this story was going to be about. The creative imagery screen in my mind was playing a test pattern. I was blank.
I thought about sneaking all my painting paraphernalia out the side door and taking my regular seat at the next service. I worried that I was falling into the old performance trap. It would be better to admit I had no ideas than to forge on trying to look good because I enjoyed the compliments I received before. Been there. Have you seen my T-shirt collection?
Then the speaker began to teach about honesty and the Samaritan woman. The part of the story that struck me this time was that Jesus, who listened to his Father, probably knew she would be coming to the well alone. He sent the disciples ahead because this encounter would be way out of the box for them.
Then he waited for her.
Sunday morning I put the painting, such as it was, back on the easel and began to paint the picture I now had in my head. I know that 2000+ years ago Jesus wasn’t mostly white like me. He didn’t speak English, and I’m pretty sure he didn’t wear jeans. But when he invites me to sit and be open and honest with him, he speaks my language. He understands my landscape and my culture. He knows me and my history and all my shame and that wretched fear of rejection. He offers more love and acceptance than I ever hoped for.
He still waits to reveal who he really is to those brave enough to respond honestly to him. The rejected, the overlooked, the ostracized, the marginalized? They are the ones to whom he reveals his true self first. It’s a holy ambush.